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Sankofa by Chibundu Onuzo

 

I started the discussion by asking the group: Did you just love Sankofa? I did. I had read it over a year ago and I just re-read it over the last two days.

Robin: I didn’t love Anna, I guess she had sort of tough childhood. I just wanted her to be tougher, braver. I thought she was so different in how she responded to things the way I would’ve, but I wasn’t raised as a biracial child by a white woman.

Robin gave us a summary of the story:

 Anna is a biracial woman in her fifties(?) her mother was white woman who lived in London but was Welsh. Her father was an African Student named Francis Aggrey who rented a room from Anna’s grandfather in the 1950s. Anna’s mother found out she was pregnant after Francis Aggrey went back to Africa.

Anna was brought up in the household of her mother, her grandparents, and her aunt Caryl. Anna grows up and gets married to a white man and has a daughter Rose who totally passes for white.

Francis Aggrey became a revolutionary then spent years in prison. He later became Prime Minister after his country gained independence. Francis Aggrey was renamed Kofi Adjei. Some people called him a dictator and nicknamed him “The Crocodile.”

After Anna’s mother died, she goes through her things and finds her father’s diary, which he kept when he was a student. Anna reads about him and finds out about him becoming the Prime Minister of Bamana with a reputation for brutality. By this time, he’s no longer Prime Minister but he still wields a lot of power.

 

Bonnie: I’m conflating this book with the book Passing by Nella Larsen. And the theme that comes out to me is wanting to be with your own folk. Even if you’re brought up in another different situation you still yearn to have that identity. The father was not such a mensch. He had some bad history too. I think I thought about Trump a couple of times, reading about him. Yet she still wanted that connection.

Arthur: I thought it was an amazing journey of finding one’s self… a kind of homegoing not in the sense of death but in the sense of finding your inner self. I enjoyed the exploration of the question of African Socialism as African countries were gaining their independence in the 1960s and 1970s.

Marian:  When you said that you thought about Trump, Bonnie, it reminded me of what Marcellina said. She said that Kofi did all these terrible things and now we have this new prime minister and inflation is crazy. This is just like how it is in the US. We had a president who did all these terrible things, now we have a new guy and inflation is crazy. I liked the book. I think that the action picks up at the last third. The first two thirds were the set-up: The narrator established how she was raised and how her mother would not concede that she was being discriminated against and that people were calling her bad names. She wouldn’t even try to seek out people who may have helped with her daughter’s hair. I’d read this book called Surviving the White Glaze by Rebecca Carroll. The biracial author in that memoir who was adopted by a white family living in an all-white community lamented that nobody could help her with her hair. Your identity means so much and the people around you are saying “we don’t see color”. Well, that’s just not helpful.

The mother’s sister Caryl was a more realistic person than the mother. They lived in Caryl’s house for a year before they moved into their own council housing. I loved the scene when she went to see Caryl at the nursing home.

Chibundu Onuzo, author 


Patricia: one of the things that stood out was Rose basically says, “Get it over it mom.” That’s easy for Rose to say because Rose looks completely white. I was alive during these times. I thought it was a great that the author really addressed how messy and how full of faults human beings are. We climb up the ladder a little bit then we slide down a little bit. I think that was reflected in almost every single one of the characters, particularly Anna, her father, and Robert. A lot of characters struggling just figuring it out.

 

Marian: you didn’t mention that when Robert cheated on Anna, the woman he cheated with was also Black. Another book we discussed was Such a Fun Age by Kiley Reid. The Black protagonist found out that her white boyfriend had only dated Black women and wondered if he had some kind of fetish.

Debbie: I read it in one day. In the last part especially, I kept being afraid that things were really going to close in on her. Getting back to Anna’s childhood with her mother, at one point she said that they moved into a neighborhood where someone did help her with her hair.

Marian: You said something about things closing in on her, that speaks to the skill of the writer. I had already read it, and I knew she didn’t get killed or maimed or anything. Even still I got so nervous for her. When she got in the car with Marcellina, I thought, “No don’t go, stay in the palace!” Then when the father took her on that overnight camping trip, I thought to myself, “This is it! He’s going to kill her!” How could I think that when I had read it before? The writing brought up that anxiety.

 Bonnie: I’m reading a book about Ethel Rosenberg, even knowing what the end would be, you still get that anxiety.

 Laura: I had read most of the book then I stopped about two weeks ago, and I stopped at the part where she was in jail. I had to stop. The whole question of why she wanted to make the connection. Did she want the connection with Francis Aggrey or with Kofi Adjei? I related to it a lot because of my own quest to reconnect with my father I loved finding out at the end what Sankofa meant. I had never really looked at the picture that was on the front: the bird with its feet facing forward but head looking back.




Sun: It’s also protecting the egg: the future. There’s also Sankofa hearts. You see them on fences and gates all the time. It’s very popular. You see it on iron rails all the time and you may not recognize it.

Connie: I was really intrigued by Anna’s development. I think that she was trying to find herself. It was time for her to read that diary and go be brave. When she actually went there, she saw that her father was both good and bad. She said, that’s ok. She kind of gained some courage and some peace of mind.

Marian: I found her to be wishy-washy, but I understand why. Just as in YA books, there’s a happy ending. I thought this ending was a little forced. I thought for this kind of story there should have been an ending with more conflict and more questions.

Robin: Even if you had been cast under a magic spell an hour before?

Marian: That was pretty crazy, but it went with the culture. There was an uncle suspecting a niece who’s nine years old of being a witch…and having her tied up in a shack, there were places that were still filthy and the people who were going without. The further you walk away from the middle of the town there’s basically huts with no glass for windows. The father realizes this is his culture. Some concessions must be made to the people. The police aren’t going into the countryside and arresting the people for practicing the old ways. I like how the writer described when Anna found out that Marcelina had freed the girl and she thought “I’m so ashamed, I should have stomped right back to this palace and demanded that my father free this girl.”

Sun: I’m not sure. The book touches upon colorism and deliberate ignorance of not talking about race even though you have a biracial child.

Marian: Caryl was more realistic; she took Anna to Knotting Hill because she wanted her to see people who had dark skin.

Marilyn: can someone tell me why the aunt took anna to see dark-skinned people? Does Anna know why she did it? Did she explain it to the child?

Marian: I think the child might have been too young to explain this to. I think she just did it for the exposure.

Robin: I think the aunt was not happy with the way her sister was raising this biracial child as though she was white. It was so upsetting how her mother raised her. And yet in conversation with her brother and he said, “Were you loved?” She said “Yes.” When she asked him, “Were you loved?” he said, “Sometimes.” The one thing her mother really did give her was a lot of love. I know her father did a lot of bad things but I wouldn’t have asked him those hard questions. I would have established the relationship first.

Debbie: She also kept calling him Kofi until the day she called out “Papa!”

Robin: The thing that kept sort of pulling me back in terms of being able to say maybe he’s okay, was that they kept bringing up that thing about that group of five college students. At the very end her father says to her think twice about that. Be careful what you say in front of your followers and sychophants because you never know what they’re going to go off and do, so what he’s saying is that he may have had blind followers who went off and did that dirty deed and he wasn’t directly related to that. Once I read that I said to myself, “Oh OK, that makes him a little less scary to me.”

Meghan: One thing I really enjoyed was the fairy tale end of the book where she’s having that vision of all her ancestors and there’s this woman in a sari who’s standing there greeting her from the other shore and she’s like Where did she come from?” This woman must have been in her Welsh family or perhaps even her African family. Her grandfather was so accepting and open, giving of his space to an African lodger,

 

Marian: When the grandfather accepted the African boarder, he had said, “I know what it’s like to be an outsider.”

 

Laura: This book seemed like it was a quest for wholeness. At first it seemed like it was just Anna’s quest but both Kofi and Anna needed something from each other. It’s very gratifying when you’re on a quest and you feel someone reaching back towards you. To feel the connection and the healing on both ends was very powerful.

 





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